Part 1: Lecture 1. Introduction
lecture 2. Christmas, 1722
lecture 3. Introduction to the Baroque aesthetic
lecture 5. Historical overview from Constantine through the great thinkers of the Baroque
lecture 6. Style features of High Baroque music, part l
lecture 7. Style features of High Baroque music, part II
lecture 8. Style features of High Baroque music, part III
Part 2: Lecture 9. Bach's inheritance, part I
the Protestant Reformation and the rise of Lutheranism
lecture 10. Lutheranism, the chorale and the chorale prelude
lecture 11. Bach's inheritance, part II
the development of the Italian style
lecture 12. The Italian style, the operatic ideal and Lutheran spirituality are joined
lecture 13. Vivaldi, Bach and the concerto, part I
Vivaldi and the Venetian opera
lecture 14. Vivaldi, Bach and the concerto, part II
Vivaldi's model and Bach, Violin Concerto No. 2 in E Major
lecture 15. Vivaldi, Bach and the concerto, part II
Bach Violin Concerto No. 2 in E Major (cont.)
lecture 16. Vivaldi, Bach and the concerto, part III
the Concerto Grosso and the Brandenburg Concerto No. 2.
Part 3: Lecture 17. Bach and the French style, part I
dance and the orchestral suite
lecture 18. Dance and the orchestral suite (cont.)
lecture 19. Bach and the French style, part II
lecture 20. The keyboard suite (cont.)
lecture 21. Bach and opera, part I
Cantata No. 140 Wachet auf, uns ruft die stimme
lecture 22. Canata No. 140 Wachet auf, uns ruft die stimme (cont.)
lecture 23. Bach and opera, part II
opera buffa and the secular cantata, the Coffee Cantata
lecture 24. Opera buffa and the secular cantata, the Coffee Cantata (cont.)
Part 4: Lecture 25. Bach transcendent
the Saint Matthew Passion, part I
lecture 26. Bach transcendent
the Saint Matthew Passion, part II
lecture 27. Bach transcendent
the Saint Matthew Passion, part III
lecture 28. Bach transcendent
the Saint Matthew Passion, part IV
lecture 29. Bach transcendent
the Goldberg Variations, part I
lecture 30. Bach transcendent
the Goldberg Variations, part II
lecture 31. Bach transcendent
the Goldberg Variations, part III
lecture 32. Bach transcendent
the Goldberg Variations, part IV.